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I first saw Laurette Langille at the Folklife Festival last May; at that time I promised myself to check her out sometime for more than just a couple of tunes. Well, it took me eight monthes, but I finally got around to it last Saturday at Murphy's. Now, I happen to think of Murphy's as a great place to drink, but not to play or listen to music, due to the crowd noise. There was a fair amount of that, but LL's style and repertoire seemed to blend with, and be enhanced by, the smoky, Saturday night feel, rather than clash with it.
I was struck by the variety of her musical selections--I think of her as a blues artist, and, to me, blues is what she's best at. But, given that, she dusted off a fair amount of swing, ballad and even pop stuff. I was pleasantly surprised to hear Warren Zevon's classic "Poor Pitiful Me," Neil Young's "Motorcycle Mama," and standards like "Crazy" and "Don't Get Around Much Anymore."
Ms. Langille sat up on stage, perched on her stool with a big, floppy hat over one eye, alternating dirty bellows, sweet clean phrases, staightforward stanzas, and phrases she bent and customized to the point you could probably see (around) the corners with them. Her playing is straightforward and efficient--nothing much fancy, but a good, solid basis for her voice to come over, under, around and/or through. For her second set, Ed Smith (who was in the Fabulous Nitecrawlers band with her) joined in on bass and second vocals, giving her even more of an opportunity to go for variety (like "You've Got A Problem," "Peace Of Mind," and a nice stretched out version of the classic "Let's Go Get Stoned"*).
It was a fun night, and your correspondent is looking forward to hearing more from LL--her blues are good news, and so is the other stuff.
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"I was struck by the variety of her musical selections--I think of her as a blues artist, and, to me, blues is what she's best at. But, given that, she dusted off a fair amount of swing, ballad and even pop stuff." Pedar Herom
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