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Laurette Langille has a long standing devotion to the older blues of the 1920's and 1930's. Her strong voice and passionate delivery are well suited to the Bessie Smith songs that she has introduced herself to audiences with throughout Northwestern America. But it is Langille's country and delta blues that really show off her fingerpicking and slide guitar, heavily influenced by Robert Johnson, Brownie McGhee and Memphis Minnie. Some fans would argue that it is this acoustic blues guitar material that truly reveals the unique texture of her blues vocals.
As an acoustic blues performer she has opened up for an impressive array of artists including John Lee Hooker, James Cotton, Koko Taylor, Long John Baldry, Charlie Musselwhite, Canned Heat, Cephas & Wiggins, Bob Brozman, The Powder Blues Band and more. Laurette was the only northwest woman included in the 1992 Seattle Opera House "Women in the Blues Tradition" concert in the company of Etta Baker, Jessie Mae Hemphill and Del Rey.
Solo blues performances by Laurette Langille include both vintage and original blues and jazz, slide guitar, fingerpicking blues, harmonica and her powerful voice. This combination of talents has made her an enduring favorite at regional festivals as well as numerous venues and concert series. Her song list spans the history of the blues and can pull in songs from other genres to be coloured by her original style.
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